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FW03 “Closer” Unknown Pleasures Melange Knit
Raf Simons
$1,000
FW03 “Closer” Unknown Pleasures Melange Knit
Raf Simon FW03 "Closer" Unknown Pleasures Melange Knit. Raf Simons in FW03 took liberty in pulling from Peter Saville's archive. Joy division, New Order and other saville motifs were plastered, knit or painted on the post-punk centered collection of 03. The iconic Unknown Pleasures album cover was also pulled for this collection, used on a leather jacket and the knit featured here. The runway colorway was in a straight black, the variation here is in a melange cream. What many may not know is that Saville reappropriated the original graphic from the very first visual representation of pulsars from a neutron printed in the Cambridge Encyclopedia of Astronomy (1977). Saville reasoned that Joy Division “very astutely spotted this image as potentially a wonderfully enigmatic symbol for a record cover.” The unusual phenomenon of the album cover's appeal is so ingrained into the fabric of society, with its endless interpretations and parodies, that it eclipses Joy Division's musical influence. Size 48. 6/10 condition. Rips and tears at seams. Pilling.$1,000 -
“SEX” 70’s Striped Mohair
Vivienne Westwood
$1,125
“SEX” 70’s Striped Mohair
The next installment in our continuing Seditionaries capsule with @aeonarchive is the Sex Shop mohair sweater in the iconic red and black colorway. Granted, the term iconic has been used frequently in the critique of fashion, however it’s rarely in regards to a garment that has shifted the public’s perception of style with, or without their awareness. This piece both in of itself, as well as the color-way, is the root of multiple fashion movements throughout pop culture history. In regards to the recent resurgence of interest in japanese brands that are endrenched in the punk scene like Undercover, Number (N)ine, and Fragment one cannot forget that cornerstone motifs they are remembered for were wholly taken from the mother of punk fashion, Vivienne Westwood, and her store, which at the time of this release was deemed the “Sex Shop.” Variations of this sweater were worn by the likes of Kurt Cobain, who was influenced to purchase the jumper by Courtney love at a “Breeders” show in 1992 because she wanted him to look like Sid Vicious. Although culturally this sweater has been attached to Kurt, it was Sid Vicious and John Lydon of the Sex Pistols were the first ones who to sport striped mohairs. Beginning in the mid seventies, they left lasting images of their eccentric style that continually inspire generations of designers, and consumers alike. The fit is unique to every piece, although they all follow a similar code of cropped sleeves, shortened length, and extended shoulder line. This specific fit set up the code of what would be known as classic “punk”. 8/10 condition, mildly shrunk. Fits XS$1,125 -
Early 80’s x World’s End Mickey Tee
Vivienne Westwood
$550
Early 80’s x World’s End Mickey Tee
Today, we bring you three tees, two of which hail from the original mail-order undertaking in 1976, available in a variety of sizes before Seditionaries had their realization in retail stores. With the third being part of the 80’s era when Seditionaries began collaborating and stocking their items in brick and mortar shops of their previous competitor BOY (later Boy London) and their own World’s End. These items range in size, as the made-to-order t-shirts used were famously salvaged by McLaren’s team. The origins of the graphics go far back to 1967, when the satirical magazine “The Realist” published an unsigned cartoon mural by artist Wally Wood, which depicted childhood Disney icons engaged in mass acts of provocative debauchery. Vivienne was fond of this illustration. She reappropriated and to some extent mimicked the subjects on a variety of prints released throughout her involvement with the Seditionaries line. The first tee is the “Snow White & The Sir Punks” graphic. The concept and positions are nearly unchanged from the original, aside from Snow White’s vulva being exposed, the shafts are clearly drawn, and the act depicted leaves little concealed. It was through the printing process that the Seditionaries edge truly shined through, such as the seminal split-fountain treatment utilized on this specific piece which added to the visual detail. The second tee’s graphic portrays Mickey and Minnie engaging in intercourse, which contrary to the Snow White graphic was drastically changed from the Wally Wood’s mural. On the original illustration, Minnie is shown to be conducting a sexual exchange for payment for the character Goofy while Mickey and various other onlookers watch in amusement. On Vivienne’s rendition, major changes are made to Mickey’s attire for instance, which references the seminal punk rock bassist Sid Vicious of the “Sex Pistols.” The Third, made after the original mail order brochure, is of Mickey shooting up heroin. In the same vein as the Snow White graphic, this illustration goes completely unchanged from the original except for the staple Anarchy “A” replacing Mickey’s right ear. Seditionaries was Vivienne’s breakthrough project which laid out the groundwork for the visual language of the Punk fashion movement, which would later be endlessly appropriated. Aside from these “found images,” Malcolm and Vivienne would often outsource graphics from a variety of internationally acclaimed artists such as Jamie Reed – the graphic designer behind the “Sex Pistols.” With the mind of McLaren commercializing punk’s popularity, and Westwood’s penchant for iconoclasm, the duo molded iconic signifiers for the heart of the british punk movement. Staining around neck. Abrasions on hems. Should fit M-L$550 -
Late 70’s “OG” Mickey & Minnie Tee
Vivienne Westwood
$650
Late 70’s “OG” Mickey & Minnie Tee
Today, we bring you three tees, two of which hail from the original mail-order undertaking in 1976, available in a variety of sizes before Seditionaries had their realization in retail stores. With the third being part of the 80’s era when Seditionaries began collaborating and stocking their items in brick and mortar shops of their previous competitor BOY (later Boy London) and their own World’s End. These items range in size, as the made-to-order t-shirts used were famously salvaged by McLaren’s team. The origins of the graphics go far back to 1967, when the satirical magazine “The Realist” published an unsigned cartoon mural by artist Wally Wood, which depicted childhood Disney icons engaged in mass acts of provocative debauchery. Vivienne was fond of this illustration. She reappropriated and to some extent mimicked the subjects on a variety of prints released throughout her involvement with the Seditionaries line. The first tee is the “Snow White & The Sir Punks” graphic. The concept and positions are nearly unchanged from the original, aside from Snow White’s vulva being exposed, the shafts are clearly drawn, and the act depicted leaves little concealed. It was through the printing process that the Seditionaries edge truly shined through, such as the seminal split-fountain treatment utilized on this specific piece which added to the visual detail. The second tee’s graphic portrays Mickey and Minnie engaging in intercourse, which contrary to the Snow White graphic was drastically changed from the Wally Wood’s mural. On the original illustration, Minnie is shown to be conducting a sexual exchange for payment for the character Goofy while Mickey and various other onlookers watch in amusement. On Vivienne’s rendition, major changes are made to Mickey’s attire for instance, which references the seminal punk rock bassist Sid Vicious of the “Sex Pistols.” The Third, made after the original mail order brochure, is of Mickey shooting up heroin. In the same vein as the Snow White graphic, this illustration goes completely unchanged from the original except for the staple Anarchy “A” replacing Mickey’s right ear. Seditionaries was Vivienne’s breakthrough project which laid out the groundwork for the visual language of the Punk fashion movement, which would later be endlessly appropriated. Aside from these “found images,” Malcolm and Vivienne would often outsource graphics from a variety of internationally acclaimed artists such as Jamie Reed – the graphic designer behind the “Sex Pistols.” With the mind of McLaren commercializing punk’s popularity, and Westwood’s penchant for iconoclasm, the duo molded iconic signifiers for the heart of the british punk movement. Holes around neck. Holes on chest area. Pinholes on underarms. Multiple blemishes and stains. Loose thread. Should fit M$650 -
Late 70’s “OG” Snow White Tee
Vivienne Westwood
$635
Late 70’s “OG” Snow White Tee
Today, we bring you three tees, two of which hail from the original mail-order undertaking in 1976, available in a variety of sizes before Seditionaries had their realization in retail stores. With the third being part of the 80’s era when Seditionaries began collaborating and stocking their items in brick and mortar shops of their previous competitor BOY (later Boy London) and their own World’s End. These items range in size, as the made-to-order t-shirts used were famously salvaged by McLaren’s team. The origins of the graphics go far back to 1967, when the satirical magazine “The Realist” published an unsigned cartoon mural by artist Wally Wood, which depicted childhood Disney icons engaged in mass acts of provocative debauchery. Vivienne was fond of this illustration. She reappropriated and to some extent mimicked the subjects on a variety of prints released throughout her involvement with the Seditionaries line. The first tee is the “Snow White & The Sir Punks” graphic. The concept and positions are nearly unchanged from the original, aside from Snow White’s vulva being exposed, the shafts are clearly drawn, and the act depicted leaves little concealed. It was through the printing process that the Seditionaries edge truly shined through, such as the seminal split-fountain treatment utilized on this specific piece which added to the visual detail. The second tee’s graphic portrays Mickey and Minnie engaging in intercourse, which contrary to the Snow White graphic was drastically changed from the Wally Wood’s mural. On the original illustration, Minnie is shown to be conducting a sexual exchange for payment for the character Goofy while Mickey and various other onlookers watch in amusement. On Vivienne’s rendition, major changes are made to Mickey’s attire for instance, which references the seminal punk rock bassist Sid Vicious of the “Sex Pistols.” The Third, made after the original mail order brochure, is of Mickey shooting up heroin. In the same vein as the Snow White graphic, this illustration goes completely unchanged from the original except for the staple Anarchy “A” replacing Mickey’s right ear. Seditionaries was Vivienne’s breakthrough project which laid out the groundwork for the visual language of the Punk fashion movement, which would later be endlessly appropriated. Aside from these “found images,” Malcolm and Vivienne would often outsource graphics from a variety of internationally acclaimed artists such as Jamie Reed – the graphic designer behind the “Sex Pistols.” With the mind of McLaren commercializing punk’s popularity, and Westwood’s penchant for iconoclasm, the duo molded iconic signifiers for the heart of the british punk movement. Holes around neck. Multiple blemishes and stains. Loose thread. Should fit M-L$635 -
FW91 “French Cancan” Muscle Zip Knit
Jean Paul Gaultier
$855
FW91 “French Cancan” Muscle Zip Knit
Jean Paul Gaultier Maille FW91 "French Cancan" Muscle Body Knit. JPG body suits or tatoo tops of the 90s are a core element in the litany of revolutionary designs under the designer's belt. As "heroin chic" started to manifest in the early 90's, Gaultier took a play at the early 80's "supermodel" ultra idealized male body rendering the featured knit here with padding resembling muscle definition. Midsection of the garment emulates the male torso as the end seams wrap around to the wearer in accordance to the anatomy of a sculpted Apollo's belt. Recently suspended display at the FIT "The Body, Fashion and Physique" exhibit as of March. Pictures of the gallery shown. New, preserved condition. sz 52, Fits M-L depending on desired fit.$855 -
FW03 “Curve” Wool Patchwork Pants
Comme Des Garcons
$395
FW03 “Curve” Wool Patchwork Pants
Comme Des Garcons Homme Plus FW03 "Curve" Wool Patchwork Pants. Models from all walks of life walked down the runway for Rei Kawakubo's FW03. Classic, loose CDG silhouettes with graphic embellishments on the blazers. A key motif however is the typography used in the graphic designs. Rarely does Rei express her political beliefs, but for this season she quoted the likes of poet and playwright Henrik Ibsen: "The majority is always wrong" and more so for the women's collection, entrepreneur and fashion journalist Gene Krell: "Conformity is the language of corruption". These heavily individualistic one liners, to us, is the spiritual embodiment of Comme des Garcons. CDG let the audience peer into Rei's personal rhetoric which echoed and then later diminished starting with the political turmoil in the early 2000's. 9/10 condition. Size M fits 32, but has button tackable sinches that can accommodate down to a 30.$395 -
Murakami x LV 55 Monogramouflage Keepall
Louis Vuitton
$8,355
Murakami x LV 55 Monogramouflage Keepall
Louis Vuitton x Takashi Murakami 55 "Monogramouflage" Keepall. 2008 marked another Takashi Murakami exhibit which yielded a pop up store by Louis Vuitton in the Brooklyn Museum. Based on the articles at the time, the public focus wasn't so much on Murakami's works but the pattern conceived between then LV's director Marc Jacobs and Murakami. Bags were sold outside of the opening event to mimic a street vendor selling fraudulent goods. A performance was also held by kanye west. 8/10 condition. Some wear around corners and on canvas print. Used with care. Nice patina has developed from use.$8,355 -
Sprouse x LV 50 Monogram Keepall
Louis Vuitton
Stephen Sprouse
$3,875
Sprouse x LV 50 Monogram Keepall
Louis Vuitton x Stephen Sprouse Monogram 50 Keepall. Louis Vuitton 2nd rendezvous with stephen sprouse in 2008 consisted of a collection of scarves, shoes, ready to wear and a selection of bags. Utilizing the iconic graffiti print on his collection in the 80s, the sprouse graphic was plastered over the Louis Vuitton's classic monogram print on canvas. 7.5/10 condition. Mild wear at corners, water stain on Louis Tag. Shows cared for use. Nice, developed patina.$3,875 -
SS03 “Scab” Fringe Suit
Undercover/Jun Takahashi
$680
SS03 “Scab” Fringe Suit
Undercover SS03 "Scab" Suit. Scab, posted quite often here, is Jun's well acclaimed collection debut of his brand in Paris. The iconography and designs were based from various bands, but predominantly from the band "Sedition" and more so the "Earthbeat LP". Suit is crudely patched throughout pulled together with hand stitching, fringes hanging from seams. All details are jacquarded into fabric. Viscose lining extends to cuffs. Blazer is oversized and loose on shoulders. Pants are fitted. 7/10 condition. Please note the pants are heavily tailored and fit more so a 28 despite being an L (tag is removed). They may be restored to their original state as some of the original fabric is folded in. Blazer is an M, fits oversized.$680 -
AW06 “Stop Terrorizing Our World” Bone Knit Sweater
Walter Van Beirendonck
$428
AW06 “Stop Terrorizing Our World” Bone Knit Sweater
Walter Van Beirendonck FW06 “Stop Terrorizing Our World” Miss Amazon Bones Knit Sweater. FW06 marked WVB’s protocollection for politically and socially charged motifs(outside of his “Gender?” collection of 2000) abundantly present in collections today. Models walked along the catwalk in dim suits with slogans sporadically plastered among their clothing. At the half-way point of the show, models reversed their outfits, removed tops and changed their make up to behold elaborate displays of deeper issues which walter describes here: I created characters on the backs of the models. In my view, they represent the protagonists that are important in our contemporary world. The Exterminator, for example, with all the diseases around the world, such as AIDS, overpopulation, fevers, and so on. Mr. Greedy stood for America and the fast food industry, Presidents Bush and Reagan, fighting and war. We had Miss Amazon, who was partly a beautiful woman (we used Madonna as the symbol) and partly a decomposing body, with exposed bones that nonetheless still wear designer jewellery. The Rainbow Man was me: I still believe in rainbows This knit sweater was hidden under and then revealed later for the decomposing beacon of beauty named “Miss Amazon”. Knit represents a skeletal caricature of the upper chest. Sits on the waist, and fitted with ribbing only on the arms rendering the chest to fit like a tee. 7.5/10 condition. Multiple mild stains seen here. In front chest and back of arm.$428 -
FW11 “Decadence” Reconstructed Patchwork Silk Button Up
Comme Des Garcons
$450
FW11 “Decadence” Reconstructed Patchwork Silk Button Up
Comme Des Garcons Homme Plus FW11 "Decadence" Reconstructed Patchwork Silk Button Up. Rei Kawakubo's FW11 runway for men was a cultural nightmare criss-crossing and connecting references to points there should be no business of having a connection to. Each model wore a crudely placed wig on top, everything below was a Pollock of Chinese patterned silks, English mad hatter silhouettes, Japanese hakamas, Vegas prints. That being said, despite the lack of any real definable signifier to process there seems to be a gravitating harmony in Rei's pursuit to find beauty in the ugly which she triumphs time and time again. Tees and button ups from this collection were reconstructed from vintage tees and silk scarves and button ups respectively. Each item is unique including its flaws, quality of silk, graphics and print. 8.5/10 condition, some flaws at the bottom right panel. Sz S, fits long, fits slim S-M.$450 -
FW01 Riot Riot Riot! Patched Ma-1 Camo Bomber
Raf Simons
$20,000
FW01 Riot Riot Riot! Patched Ma-1 Camo Bomber
Raf Simons FW01 Riot Riot Riot! Patched MA-1 Camo Bomber. The nearly tiring reminder, but well merited and critically acclaimed Raf Simons collection that represents the cornerstone of men's "archive". The conversation piece that served as a catalyst to mainstream interest of Raf Simons and past mens fashion as a whole; The Riot Riot Riot! patched bomber still stands today as one of the most coveted articles of men's clothing. Simply a Fostex bomber, purchasable at many army surplus stores around the world, patched on with images of Bowie, Richy Edwards, a Bauhaus Poster, and an article for the missing Edwards from the Manic Street Preachers. After sporting sleek, monotone capes, cloaks and academic looks in the 90's, Raf took a hiatus and returned with the iconoclastic Riot collection. Featuring layered compositions of jackets over coats and massive pants with scarves wrapped around the models' faces which look was inspired from east european youth layering for cold winters. In a time where sleek geometric minimalism or gaudy buckle belts with distressed jeans were a common occurrence on the runway, Raf Simons introduced a baggier, menacing look compelled by his music/film interests plastered on clothing in a postmodern mishmash which many are still inspired by 20 years later today. 9/10 condition. OS$20,000 -
Skewed Iridescent Pinstripe Wool Pants
Gucci
$500
Skewed Iridescent Pinstripe Wool Pants
Gucci 08-09 Skewed Iridescent Pinstripe Wool Pants. Creative director Giannini displayed a range of works playing with gradients for these seasons as seen on slacks accompanying solid colour suit jackets on the runway. Relaxed slacks are a skewed pinstripe design made with silver thread that meet in the middle over a crimson gradient. 9/10 condition. Size 48$500 -
Number (N)ine Salvaged Silk Lined Bandana
Number (N)ine
$58
Number (N)ine Salvaged Silk Lined Bandana
Number (N)ine bandana made from authentic Number (N)ine pocket lining fabric salvaged from a closing mill in Japan. The "mechanic" print was used in various pocket lining in pants from the mid to late 2000's during Miyashita's reign at his own house before selling it off in 09. Bandana is lined with white silk with a print of the Lamborghini print Miyashita used in the early 00's. These bandanas are made in house in collaboration with Worn On LA as catalyst to our upcoming production facility set to start cutting & sewing later this quarter.$58Number (N)ine’s “Mechanic” logo-type designed by Takashi Komatsu is idiosyncratic of the brand’s creator Takahiro Miyashita’s larger narrative. Logo-flips were one of the first graphical techniques he practiced when the brand first started in 1997, usually referencing the visual language of music genres that resonated with him at a younger age. The Mechanic logo-type first appeared during the S/S 2000 “Extra Heavy” collection, applied as patches on outerwear, inline fabric on pockets, and screen-printed on numerous garments. The mechanic design effortlessly characterized the Golden Age of Rock n’ Roll, and has continually resonated with members of streetwear culture, ensuring its place within the canon of staple graphics.
65 of these bandanas are only available. 22" x 22" -
FW98 “Believe” Three Fingered Gloves
Walter Van Beirendonck
$190
FW98 “Believe” Three Fingered Gloves
Walter Van Beirendonck W< FW98 "Believe" Three Fingered Gloves. Van Beirendonck's FW98 multi-part show started with children covered in playful Puk Puk attire and other mascots from Walter's imagination. Followed by adolescent models with stark, long silhouettes and structured skirts. Finalized by the longest segment with young adults which displayed the new 'Jeans' label, 'White' label, the python limited collection and the rest of the "Believe" collection. Models were fixed with prosthetics protruding from their face inspired by French conceptual artist ORLAN and collaborated with Van Beirendonck to visualize this season's story. Walter conveys to the audience an alien story every season using visual and word queues -- similar to naming segments of a play. "Wild and Crazy", "Wanted, I scare you.", "Believe in fairy tales" are a few motifs in particular for this season. A few three fingered gloves were produced for this season, this one sports a transparent window at the fingers, beige outer and ruched entryway. 7/10 condition, signs of wear and mild stains. Size M$190 -
SS06 “Welcome to the Shadow” Black Diamond Cross Necklace
Number (N)ine
$1,550
SS06 “Welcome to the Shadow” Black Diamond Cross Necklace
Number (N)ine SS06 "Welcome to the Shadow" Black Diamond Cross Necklace. Takahiro Miyashita's SS06 is a jab at Axl Rose's persona. Runway looks consisted of nearly identical outfits of Rose's stage looks with different branding. Pants were missing from some models, jetset bath robes worn on others, egregious and gaudy accessories were fitted with each look. SS06 also produced a Magical Design x N(N) jewelry collaboration set with black diamonds and fitted with .950 silver. Roses, victorian patterns, rock star motifs were key elements in the jewelry design in chime with the theme of the season. This cross necklace is one of the items offered from the collaboration in very low quantities. 3 Chains hold on the pendant; A gunmental silver piece with roses, bones and thorns form in a cross with a skull as a centerpiece. Black diamonds set on each 5 roses. 9.5/10 condition. Long Chain.$1,550 -
APOC Towelterry Sample Jacket
Issey Miyake
$265
APOC Towelterry Sample Jacket
Issey Miyake early 00's Sample Towelterry Jacket. Issey's designs fundamentals begin with the philosophy of "Apoc", or "A Piece of Cloth" which explores the relationship between body, fabric and the space between leading to Issey's fascination and innovation with technical fabrics and production techniques. APOC, started in the late 90's, uses computer aided fabric manufacturing to construct garments from a single thread. This resulted in complex graphics and displaced texturing which designs were all weaved into the fabric then cut & sewn. Towelterry jacket with weaved in multicoloured border designs. Classic, mid waist drop, long arms. Hand pockets. Button Placket. Sample item. 9/10 condition. Size 2, fits medium.$265 -
AW02 “Virginia Creeper” Distressed Leather Coat
Raf Simons
$2,555
AW02 “Virginia Creeper” Distressed Leather Coat
$2,555Raf Simons AW02-03 Virginia Creeper Distressed Heavy Leather Coat. A crimson key light, a runway in the vastness of the ominous woods and a penchant fondness of varsity nostalgia would best describe the Virginia Creeper AW02 season. The eerie, towering figures with muted colours reflect Raf’s observation of the duality of nature. This collection is more so immersed not by the graphics but with pieces like the coat shown here. This heavy leather coat and similar variations were on the runway over multiple layers of outerwear, puffers, plastic raincoats and baggy trousers to emphasize the cast of the menacing and slouched cut out of the wearer. Heavily distressed leather throughout, with patched embellishments and reinforcements. Lined in cupro. Elastic waistband on back to cinch the fabric to the lower back side. Zip down middle with oversized placket. Made in limited quantities in comparison to the cotton variation.
9/10 condition. Unfortunately missing the belt but can be styled without it just fine.
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SS98 “A Fetish for Beauty” Light Wizzkid Jacket
Walter Van Beirendonck
$245
SS98 “A Fetish for Beauty” Light Wizzkid Jacket
W< SS98 "A Fetish for Beauty" Wizzkid Jacket. W<, short for "Wild and Lethal Trash", was one of Walter Van Beirendoinck's now defunct offsprings alongside Aestheticterrorists. Beirendonck never compromised his creative control throughout his legacy paving way for unadulterated displays of his work that are celebrated in museums around the wold today. SS98 was no exception. The show, or better described as a choreographed performance, involved over 100 people in a 4 part extravaganza lasting nearly 30 minutes. Taken place on a red square center stage in Paris, the first act consisted of 30 "wizzkids" with cowboy hats doing a honkytonk style choreographed dance. The Second, 30 "White Trash" performers on stilts with drapey white costumed enveloped the stage. The third, 30 "Black Beauties", with dark, eerie and sinister Manson looks took the stage. The fourth, 40 ballroom dancer from "outer space", with masks, dresses and distantly victorian poise with swaravoski embellishments finalized the show. The stage dims, times passes, lights pop back up and a flood of cast, crew and Walter himself spend the rest of the show in an improvised rave. Muave coloured jacket with embellishments on sleeves. "Wizzkid" written across the front chest 7/10 condition. Faded, some sun bleaching around collar.$245 -
FW98 “Radioactivity” MultiMaterial Layered Loop Knit
Raf Simons
$1,450
FW98 “Radioactivity” MultiMaterial Layered Loop Knit
Raf Simons AW98 "Radioactivity" MultiMaterial Layered Knit. One of the earlier, underrated seasons, "Radioactivity" took cues from legendary synth pop group and kraut rock pioneer Kraftwerk. Footage and images available today show runway models walking down the catwalk with bold red button ups similar to what the Kraftwerk group members wore during a performance. Mock neck knit with an intricate and crudely weaved paneled knit layered over the sweater consisting of leather, suede, high gauge wool, mohair, yarn. Long loose fit Sz 48, fits Loose M oversized. 7/10 condition, some of the layered knit portion unraveled from the base.$1,450 -
FW09 “A Closed Feeling” Mouton Shearling Jacket
Number (N)ine
$1,500
FW09 “A Closed Feeling” Mouton Shearling Jacket
FW09 "A Closed Feeling" Mouton Shearling Jacket. Real fully lined trimmed luxurious shearling sheepskin, silk velvet, lace embellishments. Number (N)ine by Takahiro Miyashita FW09 Silk Jacquard Blazer in Cream/Blue. FW09 was the magnus opus for Takahiro Miyashita as he exited N(N) -- what his fans thought was his permanent departure from his creative aspirations. The collection featured 18th and 19th century influences with intricate tailoring and masterful craftsmanship. One of the more costly collections (with jackets averaging $3000), Miyashita's FW09 creations featured layered pattern silk for lining, embossed floral designs and velvet appliques. 9/10 condition. Sz 4 Tall M-L$1,500 -
Artisanal Reconstructed Tee
Maison Margiela
$500
Artisanal Reconstructed Tee
Maison Margiela "010" artisanal reconstructed tee. Oversized tee composed of 4-5 repurposed tees to create an oversized silhouette with a hodgepodge of details. Dated around SS02-03 before the "clover" reconstructed tees of SS04 and much harder to find. Margiela is a pioneer of reconstruction in fashion, with the label's offerings strongly revolving around the concepts and narratives of reconstruction. MMM's reconstructed garments have a keen attention to detail in the placement and cut of the garment's repurposed fabrics resulting in cleaner, sharper and precise designs. Said designs distance themselves as far away from the crude and inexactness displayed from reconstructed garments by other designers. Despite Margiela's reconstructed garments, bags and accessories are decades old and yet, still inspires creatives and designers presently, the meticulous approach to MMM's designs render them easily distinguishable from the sea of copycats. JAR JAR BINKS 9/1o condition, tiny circular stain on collar. Size 2 but fits M-L$500 -
FW01 Artisanal Reconstructed Military Cargo Vest
Maison Margiela
$1,000
FW01 Artisanal Reconstructed Military Cargo Vest
Maison Martin Margiela FW01 Artisanal Reconstructed Military Vest. Margiela's eponymous line, "010" and "0", are artisanal garments which paved a basis for the foundations of Margiela's core designs. Reproductions and reinterpretations have been made over the years, even after Margiela's departure from his own label, but the original artisanal garments are hand sewn in low quantities by the Margiela team, at the atelier, with vintage or hand selected fabrics. Due to the nature of the artisanal line's creative process, each "010" or "0" item has mild variations. The artisanal men's "010" line has been in a long hiatus until very recently reintroduced by now creative director Galliano. Vest was made from military cargo pants, jackets and utility pockets rearranged and placed on top of each other and protruding from the sides. Pockets are lined in multiple materials with absent or replaced hardware. Each reconstructed pocket carries details which resemble the very nature of where the fabric originated. 8/10 condition. Sz M.$1,000 -
FW10 “Gleam” Mink Fur Bunny Cross Body Bag
Rick Owens
$1,620
FW10 “Gleam” Mink Fur Bunny Cross Body Bag
Rick Owens FW10 "Gleam" Mink Fur Bunny Crossbody Bag. An "Owenscorp" bag before the exotic-material label had a distinct tag separate from Rick Owens items. The Bunny bag is a cult staple with Rick Owens with multiple iterations of the mink fur bunny, including the reissued bunny pouch you see today, with nose, ears, tail and paw embellishments. This more practical iteration of the bunny bag was only released in select stores for FW10 Gleam and built on a playful reiteration of the FW08 mink fur bag. Contains a small 6"x 7" mink fur zip pouch large enough to hold daily items with room accompanied by a mini bunny charm and 18" drop leather strap. 7/10 condition. Bag has some loose strings, leather straps had a few minor tears in it which were rebonded.$1,620 -
SS01 Reversible Dragon Embroidered Silk Jacket
Gucci
$1,400
SS01 Reversible Dragon Embroidered Silk Jacket
Gucci by Tom Ford SS01 Embroidered Silk Bomber in Red. Tom Ford spent the early 2000's at Gucci embodying the sexually proactive and vim of the surfaced, well-off, affluent youth. SS01 was the ramp up to the more extravagant pieces Ford pushed out. Full silk bomber, with silk dragon embroidery meticulously sewn throughout the crimson jacket. Sits a bit above the waist and loose around the upper body. Completely reversible with pockets on the other side for a less stated look. 8/10 condition. Some loose threads. Sz 46, sits above waist and is loose on the body can accommodate a range of sizes.$1,400 -
SS97 Floral Rayon/Cotton Hawaiin
Yohji Yamamoto
$360
SS97 Floral Rayon/Cotton Hawaiin
Yohji Yamamoto SS97 Rayon/Cotton Hawaiin. Deep blue base with vibrant floral design used throughout the season. Linen/Rayon fabric is rather heavy, but soft and breathable for an easy to wear year round use. Oversized spread collar which emphasizes the top chest of the wearer. Yohji florals have a sharp and defining graphical fidelity to them typically applied with a fine sublimation technique which allows for detailed, vibrant prints. Standard chest and loose arms. 8/10 condition. Size M, fits a relaxed M.$360 -
Sample Knit “C” Crewneck
Calvin Klein 205w39nyc
$400
Sample Knit “C” Crewneck
Calvin Klein 205w39nyc by Raf Simons Sample F&F Knit Crewneck. Sample knit crewneck never made it to production and was handed out to models that walked for Calvin Klein in 2017. Collegiate "C" motif was applied throughout the designs of following 17/18 collections. Cream heavy knit wool. 9/10 condition. No size tag.$400 -
SS17 Bloodluster Beaded Crystal Leather Jacket
Saint Laurent
$2,910
SS17 Bloodluster Beaded Crystal Leather Jacket
Saint Laurent SS17 Beaded/Crystal Leather Jacket. Iconic Bloodluster Motif on back. Soft Napa leather. New With Tags. Size 44, fits xs/s.$2,910 -
FW05 “History of My World” All Shadows Hoodie
Raf Simons
$2,400
FW05 “History of My World” All Shadows Hoodie
Raf Simons FW05 "History of My World" All Shadows Hoodie. Despite the runway being absent of the highly sought after graphics for this season, Simons looked to revisit his personal milestones in his past for the two part FW2005 collection. Raf's display to his connection to music is undoubtedly the primer to his most compelling garments. FW05 was one of the last displays of such meaning, departing from such endeavors and focusing more so on modernist, sleek cuts inspired by euro subcultures. Graphics throughout this season were labeled with cryptic lyrics from The Cure, graphics inspired by the 1982 film "Poltergeist", and even a few references to experimental musician John Cage. The hoodies, tees and sweaters were massive and overwhelming, patched with what looks like a collage of Raf's personal visual displays, with the help of peter de potter, of his inspirations and nostalgia. Just like the old days Caressing an old man And painting a lifeless face Just a piece of new meat in a clean room The soldiers close in under a yellow moon All shadows and deliverance Under a black flag A hundred years of blood Crimson 8/10 condition. Size 46, fits massive.$2,400 -
SS09 Gradient Stitch Confetti Belt
Raf Simons
$330
SS09 Gradient Stitch Confetti Belt
Raf Simons SS09 Gradient Stitch Confetti Belt. In SS09 Simons continued his shift towards redefining sartorial silhouettes with precise slim cuts and technical fabrics. With the few collections before the turn of the decade, Simons displayed his technical prowess on the runway with intricate weaves and material compositions similar to the gradient design shown here. Cotton belt is made up of hundreds of colorful stitches, resembling something like confetti, which gradually diminish towards the end of the belt. Incredibly detailed, vibrant belt. "RS" logo on the metal buckle. 9/10 condition. One Size$330 -
IM x Murakami “Flower of Joy” Tee
Issey Miyake
$300
IM x Murakami “Flower of Joy” Tee
$300Issey Miyake Tee with graphics by Takashi Murakami. From the Issey Miyake Mens collection released in ~SS1999-2000 entitled “Smoothed Edges.” Within this collection Issey and Takashi experimented with pre-shrunken silhouettes, giving the graphics a visibly worn texture. Takashi’s infamous character motifs, such as the “Flower of Joy,” serve as the focal point of this collaboration. This is one of the earliest Murakami collaborations with any designer or artist making these tees rather difficult to find.
8/10 condition. Fits a slim M -
SS15 Rope Embroidered Reversible Bomber
Dries Van Noten
$1,250
SS15 Rope Embroidered Reversible Bomber
Dries Van Noten SS15 Rope Embroidered Reversible Bomber. SS15 featured a New Deal muralist Richard Haines collaboration, half chest vests and floral rope embroidery. Models were fitted with silk or viscose shirts tucked under the 1st rendition of the signature cummerbund sweatpants. The jacket here is possibly the finest example of Dries Van Noten's iconic reversible bombers, sported with intricate all over rope embroidery in a marigold, black, and teal colourway. Incredible amount of detail a viewer can get lost in. Reversible into a covert cotton navy side to dampen the wearer's visual presence when need be. Riri reversible zipper. 9/10 condition. Neck tag is loose. Size 48, should fit a medium. Jacket sits firmly at waist.$1,250 -
Fw01 “Riot Riot Riot” Skirted Camo Bomber
Raf Simons
$8,350
Fw01 “Riot Riot Riot” Skirted Camo Bomber
Raf Simons Fw01 "Riot Riot Riot" Skirted Camo Bomber. As Raf's garments become more and more coveted, only circulating in the tucked away collector's marketplace, it becomes harder to document the pieces that actually hold historical and aesthetic significance as they become harder to come in hand. Held at an abandoned warehouse in Paris, fog machines spewing smoke, Aphex Twin blaring overhead was Raf's most influential and iconic runway: FW01 "Riot! Riot! Riot!", dedicated to isolated hero Richey Edwards from the Manic Street Preachers. Models were coded in black, grey, olive and muddy colours, completely covered in scarves, outerwear, baggy pants, oversized everything. This was a massive turn for Raf, as his previous collections consisted of sartorial, slim, finely cut and precisely designed garments which were influenced by upperclass youth. Undoubtedly influential to current day designers, but mostly ignored by the hoi polloi at its time. “At the flea market in Vienna, I saw youngsters from the Ukraine or Romania, who simply lay layer by layer and thus create their own volumes because of the cold,” Neue Zürcher Zeitung Raf captured the ethos of iconoclasm with this season. The runway was filled with large silhouettes of intense layering and wreaked of radicalism. Each look represented a slice of opposition, more specifically from the youth. This collection also happened to be shown a bit before the 9/11 attacks, but is believed to be more of a quiet observation of racial tensions and political turmoil in northern Europe at the time. Skirted bomber is actually a repurposed surplus military bomber with a detachable skirt made with thick double layered cotton. Faded and meant to look worn. First look that walked the catwalk. 8/10 condition. One Size, Fits S-XL.$8,350 -
FW09 Layered Silk Jacquard Blazer
Number (N)ine
$800
FW09 Layered Silk Jacquard Blazer
$800Number (N)ine FW09 Layered Silk Floral Jacquard Light Jacket. FW09 was the magnus opus for Takahiro Miyashita as he exited N(N) -- what his fans thought was his permanent departure from his creative aspirations. The collection featured 18th and 19th century influences with intricate tailoring and masterful craftsmanship. One of the more costly collections, Miyashita's FW09 creations featured layered pattern silk for lining, embossed floral designs and velvet appliques. This is the most detailed version of the jacket featuring an embossed floral design throughout the silk outer with the silk floral lining extending from the edges of the jacket.
Continuing the interview with Takahiro Miyashita, the focus shifts towards the stylist of Number (N)ine: Hirishi Noguchi. Long term N(N) stylist chimed in on Miyashita's outlook with the brand stating that "Miyashita wasn't partial to the brand since 2007". This occurred after his 2006 "Axl Rose" collection which Miyashita debuted as a "joke", but the audience's reaction was too stern for the designer, leaving him disappointed. He was expecting Miyashita to step down from Number (N)ine since fall of last year so it didn't come to a surprise when the announcement came 08 of January. Noguchi then knew that the following collections were purely out of the designer's creative aspirations with little interest in monetary return. The interview closed with Noguchi stating that he sat back, understood the path that Miyashita was taking and simply "watched him run".
New with tags. Has the maxfield tag still attached for "$3800". Size 0 fits xs.
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FW03 “Paper Doll” Reconstructed Military Cargo Pants
Undercover/Jun Takahashi
$1
FW03 “Paper Doll” Reconstructed Military Cargo Pants
Undercover FW03 "Paperdoll" Reconstructed Military Cargos. Paperdoll is the most revisited concept in the undercover line but nothing beats the robust and thick fabric of the original collection. Reconstructed from military garments, these paperdoll pants sport multiple pockets, cargos and excess fabric that hang for effect. Graphic and stitching embellishments on back. 8/10 condition. Sz L fits 32.$1
