-
Multicolor Borderknit Sweater
Stephen Sprouse
$500
Multicolor Borderknit Sweater
$500Stephen Sprouse “S” 88 Multicolor Border Knit Sweater. For this season and a few seasons onward before his bankruptcy, Sprouse utilized his “xerox on xerox” designs which look were a staple in the late 80s and early 90s before it peaked as a cliche in the mid 90s. Stephen Sprouse pioneered his version of the xerox design at the Andy Warhol factory by xeroxing models/figures and creating a collage resembling the look in the advert pictured here featuring the border knit sweater. The hodgepodge presentation of subjects photographed individually in different contexts, yet grouped together by their essence through a curator, with thick borders, filtered photo degradation and accentuated sharpness as a byproduct from xeroxing the same image consecutively were ubiquitous in 90s youth media.
9/10 condition. Oversized women's M. -
SS99 Secret Treasures 3D Floral Tee
Comme Des Garcons
$250
SS99 Secret Treasures 3D Floral Tee
Comme Des Garçons Homme Plus SS99 "Secret Treasures" 3D Floral Tee. CDG's reversible clothing is a signature of the label, however SS99 embraces Rei's penchant for dualities. The outdoor runway featured models walking down a flight of stairs and circling a path among the audience in what initially seems to be classic CDGHP silhouettes. As the show continues, the models gradually show the reverse side of their clothing, initially styled in conjunction with other obverse sided clothing, then later fully reverse. The collection features extravagant patterns 'hidden' away inside what seems to be conventional clothing. The tee for sale here is embellished with carefully constructed floral patterns that resemble 3D roses. 7/10 condition. Size M.$250 -
AW02 “Nowhere Man” Vintage Patchwork Long Sleeve
Number (N)ine
$2,450
AW02 “Nowhere Man” Vintage Patchwork Long Sleeve
Number (N)ine by Takahiro Miyashita AW02 Patchwork Long Sleeve. Aw02's runway, titled "Nowhere Man", was set in an edwardian themed viewing room assorted with dining chairs and tables. Models slowly sauntered along the catwalk wearing knits, muddy tones, felt hats, wool cardigans revolving around the ethos of The Beatles guitarist George Harrison. This is all a bit irrelevant though as these patchwork shirts weren't featured on the runway. These shirts are all 1 of 1, constructed from a stack of shirts, pieced out and sewn together jointed by a silk braid piping. What we have here is a sz 4, rendering this item quite desirable amongst collectors as these run quite small and lanky. 7/10, mild holes, neck stretching is very common with these shirts. Size 4 fits M-L.$2,450 -
Early 80’s x World’s End Mickey Tee
Vivienne Westwood
$550
Early 80’s x World’s End Mickey Tee
Today, we bring you three tees, two of which hail from the original mail-order undertaking in 1976, available in a variety of sizes before Seditionaries had their realization in retail stores. With the third being part of the 80’s era when Seditionaries began collaborating and stocking their items in brick and mortar shops of their previous competitor BOY (later Boy London) and their own World’s End. These items range in size, as the made-to-order t-shirts used were famously salvaged by McLaren’s team. The origins of the graphics go far back to 1967, when the satirical magazine “The Realist” published an unsigned cartoon mural by artist Wally Wood, which depicted childhood Disney icons engaged in mass acts of provocative debauchery. Vivienne was fond of this illustration. She reappropriated and to some extent mimicked the subjects on a variety of prints released throughout her involvement with the Seditionaries line. The first tee is the “Snow White & The Sir Punks” graphic. The concept and positions are nearly unchanged from the original, aside from Snow White’s vulva being exposed, the shafts are clearly drawn, and the act depicted leaves little concealed. It was through the printing process that the Seditionaries edge truly shined through, such as the seminal split-fountain treatment utilized on this specific piece which added to the visual detail. The second tee’s graphic portrays Mickey and Minnie engaging in intercourse, which contrary to the Snow White graphic was drastically changed from the Wally Wood’s mural. On the original illustration, Minnie is shown to be conducting a sexual exchange for payment for the character Goofy while Mickey and various other onlookers watch in amusement. On Vivienne’s rendition, major changes are made to Mickey’s attire for instance, which references the seminal punk rock bassist Sid Vicious of the “Sex Pistols.” The Third, made after the original mail order brochure, is of Mickey shooting up heroin. In the same vein as the Snow White graphic, this illustration goes completely unchanged from the original except for the staple Anarchy “A” replacing Mickey’s right ear. Seditionaries was Vivienne’s breakthrough project which laid out the groundwork for the visual language of the Punk fashion movement, which would later be endlessly appropriated. Aside from these “found images,” Malcolm and Vivienne would often outsource graphics from a variety of internationally acclaimed artists such as Jamie Reed – the graphic designer behind the “Sex Pistols.” With the mind of McLaren commercializing punk’s popularity, and Westwood’s penchant for iconoclasm, the duo molded iconic signifiers for the heart of the british punk movement. Staining around neck. Abrasions on hems. Should fit M-L$550 -
Late 70’s “OG” Mickey & Minnie Tee
Vivienne Westwood
$650
Late 70’s “OG” Mickey & Minnie Tee
Today, we bring you three tees, two of which hail from the original mail-order undertaking in 1976, available in a variety of sizes before Seditionaries had their realization in retail stores. With the third being part of the 80’s era when Seditionaries began collaborating and stocking their items in brick and mortar shops of their previous competitor BOY (later Boy London) and their own World’s End. These items range in size, as the made-to-order t-shirts used were famously salvaged by McLaren’s team. The origins of the graphics go far back to 1967, when the satirical magazine “The Realist” published an unsigned cartoon mural by artist Wally Wood, which depicted childhood Disney icons engaged in mass acts of provocative debauchery. Vivienne was fond of this illustration. She reappropriated and to some extent mimicked the subjects on a variety of prints released throughout her involvement with the Seditionaries line. The first tee is the “Snow White & The Sir Punks” graphic. The concept and positions are nearly unchanged from the original, aside from Snow White’s vulva being exposed, the shafts are clearly drawn, and the act depicted leaves little concealed. It was through the printing process that the Seditionaries edge truly shined through, such as the seminal split-fountain treatment utilized on this specific piece which added to the visual detail. The second tee’s graphic portrays Mickey and Minnie engaging in intercourse, which contrary to the Snow White graphic was drastically changed from the Wally Wood’s mural. On the original illustration, Minnie is shown to be conducting a sexual exchange for payment for the character Goofy while Mickey and various other onlookers watch in amusement. On Vivienne’s rendition, major changes are made to Mickey’s attire for instance, which references the seminal punk rock bassist Sid Vicious of the “Sex Pistols.” The Third, made after the original mail order brochure, is of Mickey shooting up heroin. In the same vein as the Snow White graphic, this illustration goes completely unchanged from the original except for the staple Anarchy “A” replacing Mickey’s right ear. Seditionaries was Vivienne’s breakthrough project which laid out the groundwork for the visual language of the Punk fashion movement, which would later be endlessly appropriated. Aside from these “found images,” Malcolm and Vivienne would often outsource graphics from a variety of internationally acclaimed artists such as Jamie Reed – the graphic designer behind the “Sex Pistols.” With the mind of McLaren commercializing punk’s popularity, and Westwood’s penchant for iconoclasm, the duo molded iconic signifiers for the heart of the british punk movement. Holes around neck. Holes on chest area. Pinholes on underarms. Multiple blemishes and stains. Loose thread. Should fit M$650 -
Late 70’s “OG” Snow White Tee
Vivienne Westwood
$635
Late 70’s “OG” Snow White Tee
Today, we bring you three tees, two of which hail from the original mail-order undertaking in 1976, available in a variety of sizes before Seditionaries had their realization in retail stores. With the third being part of the 80’s era when Seditionaries began collaborating and stocking their items in brick and mortar shops of their previous competitor BOY (later Boy London) and their own World’s End. These items range in size, as the made-to-order t-shirts used were famously salvaged by McLaren’s team. The origins of the graphics go far back to 1967, when the satirical magazine “The Realist” published an unsigned cartoon mural by artist Wally Wood, which depicted childhood Disney icons engaged in mass acts of provocative debauchery. Vivienne was fond of this illustration. She reappropriated and to some extent mimicked the subjects on a variety of prints released throughout her involvement with the Seditionaries line. The first tee is the “Snow White & The Sir Punks” graphic. The concept and positions are nearly unchanged from the original, aside from Snow White’s vulva being exposed, the shafts are clearly drawn, and the act depicted leaves little concealed. It was through the printing process that the Seditionaries edge truly shined through, such as the seminal split-fountain treatment utilized on this specific piece which added to the visual detail. The second tee’s graphic portrays Mickey and Minnie engaging in intercourse, which contrary to the Snow White graphic was drastically changed from the Wally Wood’s mural. On the original illustration, Minnie is shown to be conducting a sexual exchange for payment for the character Goofy while Mickey and various other onlookers watch in amusement. On Vivienne’s rendition, major changes are made to Mickey’s attire for instance, which references the seminal punk rock bassist Sid Vicious of the “Sex Pistols.” The Third, made after the original mail order brochure, is of Mickey shooting up heroin. In the same vein as the Snow White graphic, this illustration goes completely unchanged from the original except for the staple Anarchy “A” replacing Mickey’s right ear. Seditionaries was Vivienne’s breakthrough project which laid out the groundwork for the visual language of the Punk fashion movement, which would later be endlessly appropriated. Aside from these “found images,” Malcolm and Vivienne would often outsource graphics from a variety of internationally acclaimed artists such as Jamie Reed – the graphic designer behind the “Sex Pistols.” With the mind of McLaren commercializing punk’s popularity, and Westwood’s penchant for iconoclasm, the duo molded iconic signifiers for the heart of the british punk movement. Holes around neck. Multiple blemishes and stains. Loose thread. Should fit M-L$635 -
Artisanal Reconstructed Tee
Maison Margiela
$500
Artisanal Reconstructed Tee
Maison Margiela "010" artisanal reconstructed tee. Oversized tee composed of 4-5 repurposed tees to create an oversized silhouette with a hodgepodge of details. Dated around SS02-03 before the "clover" reconstructed tees of SS04 and much harder to find. Margiela is a pioneer of reconstruction in fashion, with the label's offerings strongly revolving around the concepts and narratives of reconstruction. MMM's reconstructed garments have a keen attention to detail in the placement and cut of the garment's repurposed fabrics resulting in cleaner, sharper and precise designs. Said designs distance themselves as far away from the crude and inexactness displayed from reconstructed garments by other designers. Despite Margiela's reconstructed garments, bags and accessories are decades old and yet, still inspires creatives and designers presently, the meticulous approach to MMM's designs render them easily distinguishable from the sea of copycats. JAR JAR BINKS 9/1o condition, tiny circular stain on collar. Size 2 but fits M-L$500 -
SS97 Floral Rayon/Cotton Hawaiin
Yohji Yamamoto
$360
SS97 Floral Rayon/Cotton Hawaiin
Yohji Yamamoto SS97 Rayon/Cotton Hawaiin. Deep blue base with vibrant floral design used throughout the season. Linen/Rayon fabric is rather heavy, but soft and breathable for an easy to wear year round use. Oversized spread collar which emphasizes the top chest of the wearer. Yohji florals have a sharp and defining graphical fidelity to them typically applied with a fine sublimation technique which allows for detailed, vibrant prints. Standard chest and loose arms. 8/10 condition. Size M, fits a relaxed M.$360 -
IM x Murakami “Flower of Joy” Tee
Issey Miyake
$300
IM x Murakami “Flower of Joy” Tee
$300Issey Miyake Tee with graphics by Takashi Murakami. From the Issey Miyake Mens collection released in ~SS1999-2000 entitled “Smoothed Edges.” Within this collection Issey and Takashi experimented with pre-shrunken silhouettes, giving the graphics a visibly worn texture. Takashi’s infamous character motifs, such as the “Flower of Joy,” serve as the focal point of this collaboration. This is one of the earliest Murakami collaborations with any designer or artist making these tees rather difficult to find.
8/10 condition. Fits a slim M -
AW02 “Virginia Creeper” Baseball Sweat
Raf Simons
$1,600
AW02 “Virginia Creeper” Baseball Sweat
Raf Simons AW02 "Virginia Creeper" Baseball Sweat. Well acclaimed Virginia Creeper collection dives into the nostalgic and eerie Raf's high school varsity playground. Short sleeved Sweater with felt material sleeves. Acid wash treatment on the main body, which tears and wears down the fabric at an intensified rate. Some acid wash treated garments were pre-distressed in retail shops due to the delicate nature of the fabric. From the third picture, you can recognize the stitching and foresight that went into keeping the look of the distressed elements while holding together the shape and foundation of the piece. Iconic Virginia Creeper logo in the front and back. Garment stops spot on at waist and hangs loose on shoulders. Size 50. Fits M-L.$1,600 -
2001 “Nothing Compares To You” Tee
Junya Watanabe
$155
2001 “Nothing Compares To You” Tee
Junya Watanabe 2001 "Poem" Tee. Object printed "Nothing Compares To You" over the tee in multiple colours and overlapping in some parts. Paint on the print chip in certain thicker areas over time through wear. Black base. 6/10 condition. Tee is faded, print has wear, some marks and bleach spots. Tag is faded. Size L$155
