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Early 80’s x World’s End Mickey Tee
Vivienne Westwood
$550
Early 80’s x World’s End Mickey Tee
Today, we bring you three tees, two of which hail from the original mail-order undertaking in 1976, available in a variety of sizes before Seditionaries had their realization in retail stores. With the third being part of the 80’s era when Seditionaries began collaborating and stocking their items in brick and mortar shops of their previous competitor BOY (later Boy London) and their own World’s End. These items range in size, as the made-to-order t-shirts used were famously salvaged by McLaren’s team. The origins of the graphics go far back to 1967, when the satirical magazine “The Realist” published an unsigned cartoon mural by artist Wally Wood, which depicted childhood Disney icons engaged in mass acts of provocative debauchery. Vivienne was fond of this illustration. She reappropriated and to some extent mimicked the subjects on a variety of prints released throughout her involvement with the Seditionaries line. The first tee is the “Snow White & The Sir Punks” graphic. The concept and positions are nearly unchanged from the original, aside from Snow White’s vulva being exposed, the shafts are clearly drawn, and the act depicted leaves little concealed. It was through the printing process that the Seditionaries edge truly shined through, such as the seminal split-fountain treatment utilized on this specific piece which added to the visual detail. The second tee’s graphic portrays Mickey and Minnie engaging in intercourse, which contrary to the Snow White graphic was drastically changed from the Wally Wood’s mural. On the original illustration, Minnie is shown to be conducting a sexual exchange for payment for the character Goofy while Mickey and various other onlookers watch in amusement. On Vivienne’s rendition, major changes are made to Mickey’s attire for instance, which references the seminal punk rock bassist Sid Vicious of the “Sex Pistols.” The Third, made after the original mail order brochure, is of Mickey shooting up heroin. In the same vein as the Snow White graphic, this illustration goes completely unchanged from the original except for the staple Anarchy “A” replacing Mickey’s right ear. Seditionaries was Vivienne’s breakthrough project which laid out the groundwork for the visual language of the Punk fashion movement, which would later be endlessly appropriated. Aside from these “found images,” Malcolm and Vivienne would often outsource graphics from a variety of internationally acclaimed artists such as Jamie Reed – the graphic designer behind the “Sex Pistols.” With the mind of McLaren commercializing punk’s popularity, and Westwood’s penchant for iconoclasm, the duo molded iconic signifiers for the heart of the british punk movement. Staining around neck. Abrasions on hems. Should fit M-L$550 -
Late 70’s “OG” Mickey & Minnie Tee
Vivienne Westwood
$650
Late 70’s “OG” Mickey & Minnie Tee
Today, we bring you three tees, two of which hail from the original mail-order undertaking in 1976, available in a variety of sizes before Seditionaries had their realization in retail stores. With the third being part of the 80’s era when Seditionaries began collaborating and stocking their items in brick and mortar shops of their previous competitor BOY (later Boy London) and their own World’s End. These items range in size, as the made-to-order t-shirts used were famously salvaged by McLaren’s team. The origins of the graphics go far back to 1967, when the satirical magazine “The Realist” published an unsigned cartoon mural by artist Wally Wood, which depicted childhood Disney icons engaged in mass acts of provocative debauchery. Vivienne was fond of this illustration. She reappropriated and to some extent mimicked the subjects on a variety of prints released throughout her involvement with the Seditionaries line. The first tee is the “Snow White & The Sir Punks” graphic. The concept and positions are nearly unchanged from the original, aside from Snow White’s vulva being exposed, the shafts are clearly drawn, and the act depicted leaves little concealed. It was through the printing process that the Seditionaries edge truly shined through, such as the seminal split-fountain treatment utilized on this specific piece which added to the visual detail. The second tee’s graphic portrays Mickey and Minnie engaging in intercourse, which contrary to the Snow White graphic was drastically changed from the Wally Wood’s mural. On the original illustration, Minnie is shown to be conducting a sexual exchange for payment for the character Goofy while Mickey and various other onlookers watch in amusement. On Vivienne’s rendition, major changes are made to Mickey’s attire for instance, which references the seminal punk rock bassist Sid Vicious of the “Sex Pistols.” The Third, made after the original mail order brochure, is of Mickey shooting up heroin. In the same vein as the Snow White graphic, this illustration goes completely unchanged from the original except for the staple Anarchy “A” replacing Mickey’s right ear. Seditionaries was Vivienne’s breakthrough project which laid out the groundwork for the visual language of the Punk fashion movement, which would later be endlessly appropriated. Aside from these “found images,” Malcolm and Vivienne would often outsource graphics from a variety of internationally acclaimed artists such as Jamie Reed – the graphic designer behind the “Sex Pistols.” With the mind of McLaren commercializing punk’s popularity, and Westwood’s penchant for iconoclasm, the duo molded iconic signifiers for the heart of the british punk movement. Holes around neck. Holes on chest area. Pinholes on underarms. Multiple blemishes and stains. Loose thread. Should fit M$650 -
Late 70’s “OG” Snow White Tee
Vivienne Westwood
$635
Late 70’s “OG” Snow White Tee
Today, we bring you three tees, two of which hail from the original mail-order undertaking in 1976, available in a variety of sizes before Seditionaries had their realization in retail stores. With the third being part of the 80’s era when Seditionaries began collaborating and stocking their items in brick and mortar shops of their previous competitor BOY (later Boy London) and their own World’s End. These items range in size, as the made-to-order t-shirts used were famously salvaged by McLaren’s team. The origins of the graphics go far back to 1967, when the satirical magazine “The Realist” published an unsigned cartoon mural by artist Wally Wood, which depicted childhood Disney icons engaged in mass acts of provocative debauchery. Vivienne was fond of this illustration. She reappropriated and to some extent mimicked the subjects on a variety of prints released throughout her involvement with the Seditionaries line. The first tee is the “Snow White & The Sir Punks” graphic. The concept and positions are nearly unchanged from the original, aside from Snow White’s vulva being exposed, the shafts are clearly drawn, and the act depicted leaves little concealed. It was through the printing process that the Seditionaries edge truly shined through, such as the seminal split-fountain treatment utilized on this specific piece which added to the visual detail. The second tee’s graphic portrays Mickey and Minnie engaging in intercourse, which contrary to the Snow White graphic was drastically changed from the Wally Wood’s mural. On the original illustration, Minnie is shown to be conducting a sexual exchange for payment for the character Goofy while Mickey and various other onlookers watch in amusement. On Vivienne’s rendition, major changes are made to Mickey’s attire for instance, which references the seminal punk rock bassist Sid Vicious of the “Sex Pistols.” The Third, made after the original mail order brochure, is of Mickey shooting up heroin. In the same vein as the Snow White graphic, this illustration goes completely unchanged from the original except for the staple Anarchy “A” replacing Mickey’s right ear. Seditionaries was Vivienne’s breakthrough project which laid out the groundwork for the visual language of the Punk fashion movement, which would later be endlessly appropriated. Aside from these “found images,” Malcolm and Vivienne would often outsource graphics from a variety of internationally acclaimed artists such as Jamie Reed – the graphic designer behind the “Sex Pistols.” With the mind of McLaren commercializing punk’s popularity, and Westwood’s penchant for iconoclasm, the duo molded iconic signifiers for the heart of the british punk movement. Holes around neck. Multiple blemishes and stains. Loose thread. Should fit M-L$635 -
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Original (Late 70’s) “Destroy” Muslin
Vivienne Westwood
$1,040
Original (Late 70’s) “Destroy” Muslin
Seditionaries "Destroy" Muslin with swastika print This particular “Destroy” muslin dates back to the late 70’s, and was only available in the UK via mail order for 9.5 British Pounds. This era of the Seditionaries tag is widely considered by collectors to be the key identifier for the original run, as many items during this time were exclusively produced under made-to-order requests. There were many variations of these muslins that were adorned with homosexual acts, pornographic novelizations of children’s cartoons, defaming political figures, child pornography (depicted as “censored”), nazi imagery, some of which are shown on the next slide. The narrative to incorporate provocative graphics were rooted in Vivienne Westwood’s convictions with freedom of expression, as wearing such imagery at that time ran the risk of imprisonment. Fits an S-M. Snaps at collars broke and are pinned with safety pins. Immense amount of distressing. Stains from metal corrosion. Back flap torn.$1,040 -
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FW11 “Decadence” Reconstructed Patchwork Silk Button Up
Comme Des Garcons
$450
FW11 “Decadence” Reconstructed Patchwork Silk Button Up
Comme Des Garcons Homme Plus FW11 "Decadence" Reconstructed Patchwork Silk Button Up. Rei Kawakubo's FW11 runway for men was a cultural nightmare criss-crossing and connecting references to points there should be no business of having a connection to. Each model wore a crudely placed wig on top, everything below was a Pollock of Chinese patterned silks, English mad hatter silhouettes, Japanese hakamas, Vegas prints. That being said, despite the lack of any real definable signifier to process there seems to be a gravitating harmony in Rei's pursuit to find beauty in the ugly which she triumphs time and time again. Tees and button ups from this collection were reconstructed from vintage tees and silk scarves and button ups respectively. Each item is unique including its flaws, quality of silk, graphics and print. 8.5/10 condition, some flaws at the bottom right panel. Sz S, fits long, fits slim S-M.$450 -
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Puffer Button Up Shirt
Carol Christian Poell
$600
Puffer Button Up Shirt
Carol Christian Poell Sample Puffer Shirt. Enigmatic artisan CCP is a revered, established designer even outside of the 'avant-garde' dark fashion circle it was originally associated with in the mid 2000's. Poell's individuality and intricate design techniques outshined and more importantly outlived visually similar labels that had more singular gritty narratives which arguably shared some aesthetic principles with CCP. The respect for the designer is well praised, ubiquitously, by creatives, critics and connoisseurs alike for his zealously conceptual approach to challenging fashion design's norms, as if the execution to said challenges came naturally to him. Growing up in leather trade and a scholar tailor, CCP is involved in every step of his design process from fabrics, to dye processing, to even the 'marketing' where he displays his work only when he deems necessary. Diffident to interviews, independent from trends, meticulous in his design approach, CCP is a master at his craft and a slave to nothing. Puffer shirt is stuffed with synthetic insulation similar to those in some puffer jackets. Mellow tangerine dyed, as with many CCP pieces, has a murkiness with beautiful dynamic color range. Cut Slim 9/10 condition. Sz 48 fits close to chest medium.$600 -
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Tom Ford Era Hand Painted Floral Camp Shirt
Gucci
$400
Tom Ford Era Hand Painted Floral Camp Shirt
Gucci by Tom Ford SS02 or SS03 Hand Painted Floral Camp Shirt. Tom Ford hand painted florals serve as a cornerstone for Gucci designs by Michele today. Coupled with Gucci's sense of luxury, Ford pushed his own sexually charged youth quake agenda in his early 2000's seasons followed by extravagant leisure wear with polarizing proportions. Models were bare-chested or lightly clothed, overshadowed by detailed silk robes. Camp shirt shown here is a modest rendition of Gucci's floral designs on the runway, resembling some of the chipper and vibrant designs Gucci adopted in the early 00's. 7.5/10 condition. Bleach marks on the inside of the collar which aren't shown when worn. Mild Blemishes. Sz S but fits wide and rather large for small, best for a medium.$400 -
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OG 02 Andy Kaufman “Foreignman” Tee
Number (N)ine
$121
OG 02 Andy Kaufman “Foreignman” Tee
OG 2002 Andy Kaufman "Foreignman" Tee. Miyashita was a fan of Kaufman's stand up work, including the "Foreignman" impression which is referenced by the tee here. 7/10 condition. mild yellowing at collar. Sz 4 Fits L$121
